Alien 1979 Directors Cut 1080p 130 !!BETTER!!

In a 1980 episode of Sneak Previews discussing science fiction films of the 1950s and 1970s, the reviewers were critical of Alien. Roger Ebert reiterated Gene Siskel's earlier opinion, stating that the film was "basically just an intergalactic haunted house thriller set inside a spaceship." He described it as one of several science fiction pictures that were "real disappointments" compared to Star Wars, Close Encounters of the Third Kind, and 2001: A Space Odyssey. However, in both episodes Ebert singled out the early scene of the Nostromo's crew exploring the alien planet for praise, calling the scene "inspired," said that it showed "real imagination" and claimed that it transcended the rest of the film.[144] Over two decades later, Ebert had revised his opinion of the film, including it on his Great Movies list, where he gave it four stars and said "Ridley Scott's 1979 movie is a great original."[145] In 1980, the film was included in Cinefantastique's list of the top films of the 1970s while failing to make the magazine's top ten. Frederick S. Clarke, the magazine's editor, wrote that Alien was "an exercise in style, refreshingly adult in approach, wickedly grim and perverse, that manages to compensate for a lack of depth in both story and characters."[146] In 1982, John Simon of the National Review praised the cast of Alien, particularly Sigourney Weaver, and the film's visual values. Simon also wrote, "For fanciers of horror, among whose numbers I do not count myself, Alien is recommendable, provided they are free from hypocrisy and finicky stomachs".[147]

alien 1979 directors cut 1080p 130

Alien had both an immediate and long-term impact on the science fiction and horror genres. Shortly after its debut, Dan O'Bannon was sued by another writer named Jack Hammer for allegedly plagiarising a script entitled Black Space. However, O'Bannon was able to prove that he had written his Alien script first.[160] In the wake of Alien's success, a number of other filmmakers imitated or adapted some of its elements, sometimes by using "Alien" in titles. One of the first was The Alien Dead (1979), which had its title changed at the last minute to cash in on Alien's popularity.[161] Contamination (1980) was initially going to be titled Alien 2 until 20th Century Fox's lawyers contacted writer/director Luigi Cozzi and made him change it. The film built on Alien by having many similar creatures, which originated from large, slimy eggs, bursting from characters' chests.[161] An unauthorized sequel to Alien, titled Alien 2: On Earth, was released in 1980 and included alien creatures which incubate in humans. Other science fiction films of the time that borrowed elements from Alien include Galaxy of Terror (1981), Inseminoid (1981), Forbidden World (1982), Xtro (1982), and Dead Space (1991).[161]

Alan Dean Foster wrote a novelization of the film in both adult and "junior" versions, which was adapted from the film's shooting script.[55] Heavy Metal magazine published a graphic novel adaptation of the film entitled Alien: The Illustrated Story, as well as a 1980 Alien calendar.[55] Two behind-the-scenes books were released in 1979 to accompany the film. The Book of Alien contained many production photographs and details on the making of the film, while Giger's Alien contained much of H. R. Giger's concept artwork for the movie.[55] A model kit of the alien, 12 inches high, was released by the Model Products Corporation in the United States, and by Airfix in the United Kingdom.[106] Kenner also produced a larger-scale Alien action figure, as well as a board game in which players raced to be first to reach the shuttle pod while Aliens roamed the Nostromo's corridors and air shafts.[106] Official Halloween costumes of the alien were released in October 1979.[106]

The success of Alien led 20th Century Fox to finance three direct sequels over the next eighteen years, each by different writers and directors. Sigourney Weaver remained the only recurring actor through all four films: the story of her character Ripley's encounters with the aliens became the thematic and narrative core of the series.[47] James Cameron's Aliens (1986) focused more on action and involved Ripley returning to the planetoid accompanied by marines to confront hordes of aliens.[77] David Fincher's Alien 3 (1992) had nihilistic tones[48] and found her on a prison planet battling another Alien, ultimately sacrificing herself to prevent her employers from acquiring the creatures.[172] Jean-Pierre Jeunet's Alien Resurrection (1997) saw Ripley resurrected through cloning to battle more aliens even further in the future.[173]

Prometheus is a science fiction film directed by Ridley Scott and written by Jon Spaihts and Damon Lindelof. The story follows the crew of the spaceship Prometheus as they explore an advanced alien civilization in the late 21st century, and although the film was originally conceived as a prequel to Scott's 1979 science fiction horror film Alien, rewrites determined that it would not be directly connected. Lindelof's rewrites of Spaihts' script developed a separate story that precedes the events of Alien, and according to Scott, despite the film sharing "strands of Alien's DNA, so to speak", Prometheus will explore its own mythology and universe.

In several places on this list, sequels fared worse in the hearts of critics and audiences than the film that came before. Such is the case with "Aliens," the sequel to 1979's "Alien," though Empire magazine named it the greatest sequel of all time. The franchise has yet to recapture the magic since "Aliens," a terrifying thriller of galactic proportions starring Sigourney Weaver in an Emmy-nominated performance as Ellen Ripley, a hero for a spacefaring generation. The alien-invaded franchise has since spawned several other sequels, including 2012's "Prometheus" and 2017's "Alien: Covenant."